montage and sampling (audio-material 1)
In using digital sampling techniques, the initial aim is to montage new AUDIO-databases out of classical/modern as well as currently recorded popular music material. This process of accentuated manipulation makes use of „composing“ montage*processes as well as the sampling of re-composed, historical audio-material. The comprehensive history of sampling opens up possibilities/necessities with regards to a variety of thematical negotiations, such as the „re-appropriation“ and „re-positioning“ of any given media-pool. Utilising current digital devices and materials, vast potentialities with regards to montage and transformation are accessed.

back to home page